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Romance, B-Story Style

Posted on 02 September 2010 by thisgirltv

TV is all about love stories. Well, maybe not all. You gotta admit, though, that the love story (or potential love story) is one of the reasons we keep watching a show. Most people watched shows like Moonlighting hoping that David and Maddie would get together, but when they did, the show seemed to fizzle. That leaves us wanting the romantic tension but dreading that the other elements of the show will go downhill when it happens. With Chuck we longed for Chuck and Sarah to get together but we dreaded what would be the inevitable breakdown of the show. We learned it isn’t always the case. Getting Chuck and Sarah together has led to some tremendous episodes. So, as we anxiously wait through season after season for the main characters to find their way to each other, we satisfy ourselves with the B-romances. The characters that can get together, or split up, without breaking down the action of the main story.

The B-romance can be very satisfying. It’s a good way for the writers to help us get our romance fix while keeping the integrity of the shows we love. Here are a few of my favourite B-romance, a bromance, and a little fantasy romance as well.

Angela & Hodgins *Bones*


This is one of my favourite romances. From the first hint of romance to the wedding in jail, I love what the writers did with these two characters. I love nerds and Hodgins has a certain amount of nonchalance that most nerds don’t have, a certain normalcy, but being a nerd, he loves showing off what he knows. Angela is your every woman, but a lot more liberated, who knows just the right thing to say in a given situation. Getting them together was perhaps one of the most natural things in the world. On the episode when Angela tells Hodgins she might be pregnant and she wasn’t sure the man she was dating was the man she should have the baby with, Hodgins declared that he was her guy. At that moment, the fans knew he always would be.


Parker & Hardison *Leverage*

I love Leverage. I love how you think it’s going one way and then, suddenly, everything that’s happening that seems to be wrong turns out to be part of the plan. However, I especially like when Mark Sheppard’s Sterling actually comes in and messes things up. It always ups the ante for the end of the season. I hope this year that the guy they are going after turns out to be the new “big bad” and Sterling can get a little storyline messer-upper rest. All while the hijinks are ensuing, Hardison, the Hacker has a thing for Parker, the Thief. Up until the last few episodes, the viewer assumes she is blissfully absent of any feelings for him, but as the following video shows, she isn’t.

I love Parker. She’s good at her “job” but extremely naive about other things. I love how she is so awkward in social situations and so ignorant of her own feelings in things. Hardison is awesome as well. I think it’s my thing with nerds again, but explaining how to break into anything even if it’s just technobabble for the script is awfully sexy. So when the closed off thief who is adventurous meets the wide open guy who wants to just be holed up in his room with video games, nothing but exciting, romantically hilarious things can happen.

Lily & Marshall *How I Met Your Mother*

I know Lily and Marshall are already married and already together but, compared to the many relationship misses Ted has experienced, it’s great to see a happy couple residing in the background. Their relationship is odd (in a good way), but based on their mutual understanding and acceptance of each other. I’m sure that their relationship is one on which Ted will base his relationship with any woman. They’re amazingly honest and, at the same time, insecure. They are willing to celebrate their strengths as well as confront their weaknesses, all while having a laugh. The writers really did a good job of crafting this believable relationship.

Abed & Troy *Community*

The first time I watched Superbad, I didn’t understand the relationship the guys expressed near the end of the movie. The thought of “are they gay” crossed my mind, but subsequent viewing helped me realize they were doing the guy equivalent of girl’s BFFs. Most guys love each other, but the idea is that the love goes unexpressed while the doing stupid things because that’s their friend basically suggests that the love is there. On the show Community, a show that I enjoyed way more than I ever expected, we meet Abed and Troy. Troy is not the brightest bulb in the box and Abed is not the most grounded, but together, they are a funny duo and one I don’t want to see break up any time soon.


They are more simpatico than many other relationships we see, real or imagined.

Fred & Stacy *Drop Dead Diva*

I may love Lifetime ‘cause I’m a girl or because I like making fun of the self serious tone of movies they show, or because every now and then I need to see something that’s uplifting, but one of my favourite Lifetime shows is Drop Dead Diva. Drop Dead Diva is about an aspiring model, Deb, who dies but hits the return button in heaven and ends up in the body of an overweight lawyer, Jane, who was shot. That lawyer works in the law office where her boyfriend was just hired, so she has to see the man she loves everyday and he may never know she’s around. That’s the main romance. The B storyline romance in this series is between Fred, the “guardian angel” who let Deb hit the return button and Stacy, Deb’s best friend and the only non-angelic being who knows that current Jane is really Deb. Fred is without guile and firmly in love with Stacy. Stacy is definitely a blonde, but with such a good heart that you can’t help but like her. On the show, she’s just beginning to show her love for Fred, who has just been himself and let his love for Stacy speak when even he didn’t think it was wise. April Bowlby and Ben Feldman do a really good job of playing off of each other and the writers do a great job of keeping their relationship light and fun.

Zane & Jo *Eureka*

I like Jo. Jo reminds me of myself, except I am not as interested in weapons of mass destruction as she is. I think Zane is a great character whose lackadaisical air plays really well off of her regimented ways. I loved when they got together the first time, but the way this season is playing (which I love), we’re going to get to see it again. If you’re watching the show, Henry’s relationship growth after telling his “wife” that he was from another time stream and that she had lost her Henry was hard to watch. You hoped he got it right and so far, he has. The same can’t be said for Zane and Jo and her hurt that her life with the man she loved might never be is causing her pain. Erica Cerra plays the character so well. I felt the impact of her hurt when she realizes that the older man Zoe was talking about was her Zane. I wish I could have found video, especially of that moment, but if you watch the season 4 e7 episode Stoned, you will find yourself rooting for Jo and Zane to get back together.

Alton & W *Good Eats*

This is a weird one indeed. I watch Good Eats regularly and I had a bet with someone that W was actually Alton Brown’s wife. There is something so energetic in their banter and the way it’s delivered that I was sure of it. I don’t know if it was the last episode or not, but we watched an episode that told who all of the actors actually were in the series. W was actually Alton’s chiropractor in real life, but through them I saw more sexual tension than I’ve seen in actors who actually make their living just acting. Kudos to the writing and acting by the Good Eats crew!

Andy & April *Parks & Recreation*

I thought Andy was just too much of a cut up, a guy who didn’t understand anything, and just not right for Ann, but as I see how he is with April and how much April likes him, I really like him for her, but especially her for him. We all know someone who is dating a person that they are too good for. Yes, that’s a judgement I make and yes, I’m okay with that. I like judging. But as much as we don’t want that person dating our friend, we sometimes forget there is someone they should be with, out there, who will help them become a better person, who is not brought down by their very presence. As much as Ann misses the side of Andy that we are just now beginning to see, the funny, caring side, every last one of us knows that April and Andy belong together.

Loker & Torres *Lie To Me*

If you’re an expert at detecting a lie, the person you want to be with is someone who can do the same, someone who won’t be crushed under the study of every facial expression. We learn from the show that Lightman and his wife’s relationship was killed by the weight of his suspicions. Even a strong person with good moral standards can’t stand up to the suspicion of someone who can read micro expressions. Also, their working environment and how close they are beginning to react to each other is leading them down the romance aisle. I’m for it!

Agent Cho & Me *The Mentalist*

Don’t get me wrong, Simon Baker as Patrick Jane is great and I really enjoy the rest of the cast, but from day one, I have been a big fan of Cho. Reasons why Agent Cho is so great? 1) He reads all the time. I love that. He always has a book in his hands. 2) He’s a man of action. He knows how to use his words, but most of the time, he doesn’t have to. 3) He’s just the right amount of level headed. I know why the writers would want to do a Cho-centric episode that takes him out of his element, but that layer of humour and action that usually comes with Cho was missing from that episode. I would prefer to think of him as unattached so that we could one day be together. It could work, since I’m not real and neither is he. I know I’m not the only one who loves themselves some Agent Cho. All the Cho lovers of the world speak out!

In Yo Face!

So there you have it. I haven’t mentioned every B story romance by any stretch and I’ve only done recent shows in this list. What other B-romance do you love to watch? Which one of the ones I’ve mentioned do you enjoy the most? Which one seems the most organic to the main story, to their show as a whole? I love it when I can get the best of both worlds. After all, I’m a romantic at heart.

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Last Minute Emmy Predictions: And The Emmy Should Go To…

Posted on 29 August 2010 by thisgirltv

So we are already 2 categories into the Emmys and I’m 1 for 2. Let’s see how the rest of these go…

Last Minute Emmy Predictions:
Outstanding Directing for a Comedy Series
30 Rock * I Do Do
Outstanding Directing For a Drama Series
Dexter: The Getaway
Outstanding Lead Actor in a Comedy Series
Alec Baldwin as Jack Donaghy
Outstanding Lead Actor in a Drama Series
Kyle Chandler as Eric Taylor
Outstanding Lead Actress in a Comedy Series
Tina Fey as Liz Lemon
Outstanding Lead Actress in a Drama Series
Connie Britton as Tami Taylor
Outstanding Supporting Actor in a Comedy Series
Eric Stonestreet as Cameron Tucker
Outstanding Supporting Actor in a Drama Series
Terry O’Quinn as John Locke
Outstanding Supporting Actress in a Comedy Series
Jane Lynch as Sue Sylvester
Outstanding Supporting Actress in a Drama Series
Archie Panjabi as Kalinda Sharma
Outstanding Guest Actor in a Comedy Series
Mike O’Malley as Burt Hummel
Outstanding Guest Actor in a Drama Series
John Lithgow as Arthur Mitchell
Outstanding Guest Actress in a Comedy Series
Elaine Stritch as Colleen Donaghy
Outstanding Guest Actress ina  Drama Series
???
Outstanding Comedy Series
Modern Family
Outstanding Drama Series
The Good Wife
Outstanding Writing in a Comedy Series
30 Rock – Anna Howard Shaw Day – Matt Hubbard, Writer
Outstanding Writing for a Drama Series
The Good Wife – Pilor – Michelle King and Robert King, Writers

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And The Emmy Should Go To: Outstanding Directing for a Drama Series

Posted on 29 August 2010 by thisgirltv

It’s Emmy time and I’m getting here a little late. With the Emmys broadcasting August 29, 2010, I don’t have much time to make it through the 19 categories I want to highlight. I like the Emmys because it gives me an opportunity to celebrate one of the things I absolutely love. Television. During Emmy season, television lovers can get heated about what is good and what is not. It’s almost as bad as Fantasy Football.

Directors are one of the best parts of a show. They are the second line of defense, after the writers and before the actors. I mean, speaking as a writer of sorts. Maybe if I were a director or actor by trade, I would think differently. We have to admit, though, that a show can be made or broken, even with good actors and writers, on the decision of the director. So, who’s directing will reign supreme?

Outstanding Directing For A Drama Series

Breaking Bad • One Minute • AMC • Sony Pictures Television

Michelle MacLaren, Director

Dexter • The Getaway • Showtime • Showtime Presents, John Goldwyn

Productions, The Colleton Company, Clyde Phillips Productions

Steve Shill, Director

Lost • The End • ABC • Grass Skirts Productions, LLC in association with ABC Network and Studios

Jack Bender, Director

Mad Men • Guy Walks Into An Advertising Agency • AMC • Lionsgate Television

Lesli Linka Glatter, Director

Treme • Do You Know What It Means (Pilot) • HBO • Blown Deadline Productions in association with HBO Entertainment

Agnieszka Holland, Director


I’m sorry Breaking Bad. I still have not caught up with the show. I keep hearing great things, especially about the nominated episode, One Minute. I’m just not as caught up with the show as I would like to be… as I should be. It’s a heavy show, not one I can watch lightly. I have liked the few episodes I’ve seen, but I had to switch to catching up with In Plain Sight. Dealing with my own mother/sibling issues through Mary Shannon was a little more my mug of chai.

I love the show Dexter. I found myself struggling through the season, but not through The Getaway. I stayed on edge the entire episode and just when I felt I could relax, Dexter walked into his bathroom. I am very glad the internet didn’t give that ending away  because the impact of that surprise was… shocking… mindblowing… unexpected… a true surprise in this spoil happy culture (of which I’m guilty of participating). Of the lot, this is my pick for the Emmy.

Lost… I had a lot to say about The End, but I won’t say that it will win the Emmy. Too disappointing in so many ways.

I haven’t seen this Mad Men episode. I like Mad Men. I heard this episode was good though. Maybe when I get to watch it in the next few months, I will change my stance. Normally, though, Mad Men episodes are meandering affairs. I can’t imagine the episode was better than Dexter.

I love Treme. It was a good first episode. I liked John Goodman and Wendell Pierce in this.

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And The Emmy Should Go To: Outstanding Directing for a Comedy Series

Posted on 10 August 2010 by thisgirltv

It’s Emmy time and I’m getting here a little late. With the Emmys broadcasting August 29, 2010, I don’t have much time to make it through the 19 categories I want to highlight. I like the Emmys because it gives me an opportunity to celebrate one of the things I absolutely love. Television. During Emmy season, television lovers can get heated about what is good and what is not. It’s almost as bad as Fantasy Football.

We’re taking a look at Outstanding Directing for a comedy series because we all know how much a good show can be brought down by bad directing. Also, frankly, directing is hard work. I know all the other stuff that gets nominated is hard work, just not work I know a lot about, not enough to give and educated opinion. I’ve watched all of these episodes (which I can’t say for all the categories) and have a very definite winner in mind. Your nominees:

Outstanding Directing For A Comedy Series

Glee • Pilot - Director’s Cut • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV

Ryan Murphy, Director

Glee • Wheels • FOX • A Ryan Murphy TV Production in association with 20th Century Fox TV

Paris Barclay, Director

Modern Family • Pilot • ABC • Twentieth Century Fox Television

Jason Winer, Director

Nurse Jackie • Pilot • Showtime • Showtime Presents, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber; A Caryn Mandabach Production

Allen Coulter, Director

30 Rock • I Do Do • NBC • Broadway Video, Little Stranger, Inc. in association with Universal Media Studio

Don Scardino, Director

For the Pilot episodes that are available, you will have to have Hulu Plus.

My pick for the win is 30 Rock – I Do Do. While Glee and Modern Family have turned into great shows, their pilots were not what the shows became. Also, Nurse Jackie did not start off very funny to me. It was a little sad. I think my first real laugh was the first episode with the homeless man that declared himself God. Wheels was a good episode as well, but not nearly as good as the AcaFellas episode.

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And The Emmy Should Go To: Outstanding Commercials

Posted on 10 August 2010 by thisgirltv

It’s Emmy time and I’m getting here a little late. With the Emmys broadcasting August 29, 2010, I don’t have much time to make it through the 19 categories I want to highlight. I like the Emmys because it gives me an opportunity to celebrate one of the things I absolutely love. Television. During Emmy season, television lovers can get heated about what is good and what is not. It’s almost as bad as Fantasy Football.

To get things started, I’m going to be the oddball. I love commercials, the funnier the better. I like it when a commercial makes me laugh or think. I also totally fall for commercials too. Yes, Krystals, your new wings look super tasty. Yes, Checkers, I do gotta eat. Sure Swiffer, I want to throw away my old mop. So, without further ado, the nominations for Outstanding Commercials are:

Anthem • Absolut

MJZ, Production Company

TBWA\Chiat Day\Day New York, Ad Agency

Coke Finals • Coca-Cola

Wieden+Kennedy, Ad Agency

Game • Mars Snack Food US/Snickers

BBDO New York, Ad Agency

MJZ, Production Company

Green Car • Audi

Hungry Man, Production Company

Venables Bell & Partners, Ad Agency

Human Chain • Nike

Wieden+Kennedy, Ad Agency

Smuggler, Production Company

The Man Your Man Could Smell Like • Old Spice Body Wash

Wieden+Kennedy, Ad Agency

MJZ, Production Company

And the Emmy should go to: The Man Your Man Could Smell Like for Old Spice Body Wash. I love this ad campaign. With Isaiah Mustafa (who is The Man Your Man Could Smell Like) answering twitter comments, flirting with Alyssa Milano and Rose McGowan, spurring other followers to greater heights, spawning imitative commercials pitching libraries:

I loved the Snickers commercials – Getting Betty White in the nominated commercial as well as the Aretha Franklin Diva commercial, but I didn’t watch those over and over again like I did the Old Spice commercials. Also, I’ve loved Old Spice since I was a little girl. My dad used the original scent and my husband now uses Swagger, mainly because it’s funny when we says Swagger. The other commericials, while somewhat inspiring or funny in their own way, did not stand out past other commercials, nor has generated as much comment as the Old Spice ads. I think that, as far as getting brand name out, Old Spice has done the better job.

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Chuck Finale: Finding New Ways to Amaze

Posted on 25 May 2010 by thisgirltv

I just watched the Chuck finale and I have to say that the writers are really on it. It wasn’t the most amazing finale yet (so far, Grey’s Anatomy may clinch the title for that one) nor was it the most anticipated (Lost took that trophy home), but it was the most satisfying as an ending as well as raising the level of anticipation for next season.

Recap:

Chuck’s finale finds him on the fritz with the Intersect in his head so that, instead of flashing and kicking ass, he’s flashing and passing out. This gives Shaw, back from the dead, the perfect opportunity to come out of hiding, pretend to be a triple agent but actually he’s a quadruple agent for the Ring. He uses Chuck’s instability and the need of the other agents to protect him to convince the convening spy council that the Intersect project is a wash and that Chuck is treasonous. Chuck tosses a letter opener at Shaw, just as his father does to him, but Shaw realizes his plan and takes the stabbing, guaranteeing that Chuck will see the inside of a cell for a long time… well, that is until he kills him.

Meanwhile, Ellie is finding out all the dirt on Chuck’s super secret spy life from Captain Awesome and Morgan. She realizes she didn’t do a good job of protecting him. With the help of his dad, Chuck escapes from the prison and thinks to run, against Sarah’s wishes, but he leaves anyway to protect her. Sarah confronts Shaw, he uses words that will incite her and she pulls a gun on him, just as C.I.A. agents burst into the room. There’s a cell waiting for Sarah as well. Casey goes to protect his daughter, who he’s been visiting at the restaurant she works, since he found out that she existed. One of the agents threaten her, so Casey deals with him in that way only Casey can, but it gets him tossed into a cell as well.

Shaw then goes after the escaped Chuck, who’s on the run with his dad. A call from Morgan, however, makes Chuck realize that his family and friends are not safe. They go to where Ellie would meet Justin. She leads them to the ultra secret Metro station that is the Ring base. Shaw and Justin are alerted and rush over. Ellie sees them go in and follows them. To upset Chuck, Shaw shoots (and possibly kills) Papa Bartowski and Ellie sees it as well. Chuck sort of gives up, but Ellie galvanizes the remaining members of the team to rescue Chuck, Sarah and Casey before Shaw can have them killed.

The second part deals with Chuck slowly losing it with the Governor keeping his Intersect brain on the straight and narrow. There is a lot of Buy More activity, a Jeffster music video, a missile, Morgan breaks his thumbs to escape ropes, an explosion, a flashback to why Chuck is so special, a grand fight scene where Chuck’s good-guy-ness is still there because he doesn’t kill Shaw for revenge. When it’s all said and done, Chuck agrees to give up the spy life for Ellie (and because he feels guilty about the part he played in his father’s death, which I don’t think will hold up) and asks Sarah if she can still love a normal guy.

The end of the episode has Chuck receiving a posthumous (supposedly) message from his dad which leads Chuck back to their childhood home, the super secret underground spy cave, which points to a fourth season reconciliation with his mother.

Thoughts:

This season of Chuck was really good. Not only did they successfully get a two and a half season of romance together, but they kept the show interesting despite uniting the two people in love. That’s because this show was not a clever gimmick to get two characters together. It was always secondary to the plot of the goofy computer guy who knows all the government secrets. His life, trying to hide his new found gifts, etc., is what makes this show the show most of us have come to love.

Unlike most people, I was okay with Chuck and Sarah falling in love with other people. As most shows go, when you have to deny your love for someone else, that love eventually is put on someone else, for a while. These two characters needed the distraction of other love interests, especially if the writers planned on dragging out the love story. Also, the personal connection/link to Shaw was necessary for it to be something more than a job when he goes rogue. I think the flirting and actual relationship should have started sooner, especially with the way she was feeling towards Chuck, and been of a longer duration so that when Shaw says he has no problem, we believe him because they’ve been together for so long. I do like, however, that when they finally wrote Sarah and Chuck together, they didn’t make them break up over something arbitrary. They kept them together to try to work out how romantic feelings and spy work could fit together. I think it has been the best thing for the show and for those longing for the relationship between the two, but also for those who wanted to see more spy stuff, to get that goofy love story out of the way.

I hate that Ellie didn’t know earlier, but it served the character and the storyline well to have her only find out at the end. Also, they couldn’t have pulled off getting close to the Bartowskis if Ellie had known earlier. I’m glad she knows now and I think that if they keep her in the dark about their mom next season, I’m going to be more than a little pissed.

I LOVED Morgan  Grimes this season. Loved the new cut, the new confidence, the addition to the spy stories. I loved him and Awesome working together. they’re the new buddy cops. As civilians, they go about this spy business completely different. Awesome took to it because he’s, well, awesome while Morgan is being trained by Casey. Yet they bring their own set of talents to the table. My favourite moment between Awesome and Morgan was when Morgan was asking about a typical day with Ellie. He started out knowing something had to be wrong and ended up wanting to be married to Awesome too. It just perfectly sums up how awesome Devin is and adds another reason to why I love Morgan.

As I said earlier, while this episode was not the best in the finale run this season, it’s definitely not the worst, but it does one thing that I like. It makes me want next season to happen now. I’m interested in learning about their mother and what actually happened that left these two as their only family. I want to see if their father is really dead. I want to see Shaw make a comeback, escaping from his maximum security prison… there’s so many places my imagination can go based on the finale. The same can not be said for other finales I’ve watched. This finale was fun, touching, sad, and lots of other emotional things, but it was also satisfying. I can’t wait for Chuck Season 4. I’m glad I finally caught up.

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Worst Season Yet: 8 Shows We Hate Watching This Season

Posted on 03 May 2010 by thisgirltv

There are several shows that have had their best seasons yet this season. We’ve talked about those shows. The flip side, however, is that there are a few shows that are having their worst season. Some we still watch (or watched) and some we have decided to just let go. Here are the shows we think should reassess during the summer hiatus (or whichever hiatus they went on…)

House – Dull, dull, dull. Without the delicious thrill of watching House walk the edge of breakdown, our Sherlock Holmes is ridiculously boring. One of the best parts of House has been watching him spar with Wilson and while we do get more of that, the edge that was once part of  it feels like an already lost battle. House has lost because he can’t win. His drugs don’t work, his leg doesn’t work and without him, his team can barely work. I really did like his interaction with Wilson’s ex-wife, Sam (played by Cynthia Watros – who is very convincing). She seems so sweet, but there is an edge there, the first bit of edge we’ve seen since Chase killed James Earl Jones.

Murderer.

Anyway, the part of me that is a nice person doesn’t want the character of House to put himself in mortal danger, but the drama-loving tv watcher in me wants to see him walk that fine line again, hoping his intelligence will keep him from tumbling over.

24 – I have not watched every episode from this season, but what I did see was dreckitude. And yes, I’m using a word I learned on America’s Next Top Model. Deal with it. Coming off of last season, which started with an awesome made for television movie, I expected the writing to start getting better. They even got more terrific talent involved (love Katee Sackhoff), but it does not seem to have helped. People are still whiney and acting as if they don’t have the ability to do the jobs they are paid to do. Oh well, espionage and being double agents can make you look like a jerk.

Dexter – Shouldn’t it be good television to finally watch a character get the father-figure he always wanted before discovering he’s not all he should be and then having to make the decision to put him out of his misery. Most people would blanch at the thought of watching a son kill his father (or father figure), but on a show like Dexter, that’s just what we expect. As Dexter deals with the fact that he was the cause of his father’s death, is reeling, still, from having killed his brother, Dexter meets the “father” of his dreams in serial killer Arthur Mitchell, who has been killing for a very long time and who also has a family. Dream come true for the character, but is less than exciting for us. Season 3 was also a bit dull, especially after the excitement that was the Bay Harbour Butcher (Doakes is missed) in Season 2, but while I wanted to watch every episode of the previous seasons when they aired, I found myself letting two or three go buy before finally settling down to watch. Here’s hoping the aftermath of this season’s shocking ending will lead to some really dynamic television.

10 Things I Hate About You – Granted, though we are not dealing with a separate season, the writing is a lot less dynamic. While the Chastity character is a little less annoying, the individual storyline are showing signs of weakness. Cat is no longer convincing as the driven feminist. Bianca’s shallowness is dull and the times she tries to step out of it does not feel liberating. Cameron’s heartbreak also feels artificial, his sidekick friend is no longer needed, and the edge that was Patrick Verona has softened now that they are semi-dating or whatever. And poor Mandella, who continues to suffer in silence in a wasted friendship with Cat, is also slightly depressing in the new woman she has found for herself. Well, I hope she’s happy anyway. Just 4 episodes into the second half and I’m just not feeling the show like I did when it premiered.  Larry Miller is still fabulous as the father and Joey is much more likable, but in the end, it hasn’t even been funny enough to justify continued watching.

Heroes – GACK! I’m still watching this? Yes, I am. I hate myself for it. I can’t leave a storyline unfinished and I do so love Hiro. But this season was pretty much the suckiest season ever.

The Office – There have been some very good moments for this show, but, unlike the shows on the cusp of being either good or bad, this has had too many boring moments. The wedding and birth was amazing. Watching Andy woo Erin has also been amazing. But the takeover, the revamp, the plotting against Jim as manager, the revival of Monkey and Dwight… boring. There wasn’t enough sass in it and the uncomfortable things have been toned way down. Also, not enough Kelley.

Smallville – Clark Kent, you are not Batman.

True Blood – The Maryanne storyline dragged on much too long. Knowing that there is something that could kill vampires opens it up for other supernatural beings that can handle the “outed” creatures.  While the exciting, nail-biter of a season ender comes as a great relief compared to the rest of the season, if Bill is locked away all next season, True Blood may find itself on this list again.

What do you think? Which shows are having their worst season yet? Did we get these right, or are we being short sighted? Let us know!

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Best Season Yet: Top 3

Posted on 29 April 2010 by thisgirltv

The Top 3. There something about being in the top. These shows are not necessarily the best shows on television, but after having a season or two playing, they’ve decided this is the year to bring their A-game. Shows like Modern Family, The Good Wife, and Treme, shows that I think are really good this year, have to get to their second season and be better than the first. If the writers make that happen next year for some of these freshmen shows, I will be a happy tv camper. The Top 3:

3. Parks & Recreation – The biggest turnaround of any comedy has been Parks and Recreation. It started out as a mildly funny comedy about an awkward deputy director with a crazy, assorted cast and has become a complex, wildly hilarious show about an deputy director of the parks department who wants everything too much. This character, Leslie Knope, played with precision by Amy Poehler, started out as a Michael Scott-esque screw up, but became her own entity in the 2nd season. The other characters became less shallow as well, and the depth that has been added to them, especially Ron MF Swanson, has made their characters more believable, more likeable, and much, much more funny. The antics of Aziz Ansari’s Tom Haverford as he tries so desperately to be cool. The excessively put down Jerry, the forever bored April, who has a crush on Andy, who is in love with Ann who is dating Mark – that’s a square you don’t want to be a part of! If you’re watching the show, you know what I mean. If you’re not, you’re missing out. Every episode has had an element that was so crazy, so funny, that I walk away wondering how the writers can live with themselves. They are killing me. To be serious for a moment, though, if I wrote a comedy, Parks and Recreation is where I aspire to be. Here’s hoping that next season sees an increase in the comedy and the writing stays just as big as it is now.

2. Chuck – I caught up on Chuck a few days before Season 3 aired. By the end of my marathon viewing, I was amazed that I had not been watching this show live. Because House had been my number one wife on Monday nights, I was reluctant to trade a show that had, for 5 seasons, been so great to a show that was growing in spectacular. I was fortunate because I was able to watch a number of House episodes before Chuck aired in January. However, it only took about three episodes before I realized that Chuck was turning out way better than House this season. So I switched. I DVR House and I watch Chuck live. It has revolutionized my Mondays. I have not had any qualms about the way the story followed the thwarted love between Sarah and Chuck. I loved how they used those storylines to create a chilling episode that forced Chuck to choose between his squeamishness in using deadly force and his love of Sarah. Love won. Love and Subway. Also, Morgan and Casey are awesome and I look forward to watching them together.  (squeal!) I’m so excited!

1. Supernatural – Oh my word, this show, this season, has been awesome. I’m not saying it’s perfect, but it’s done something good with each storyline that pushes the story forward in a foreseeable way. Every story (even if you don’t like how they went from shooting Satan in the head to chasing after wraiths and little boys possessing their bodies) has been excellent, touching on the heart of this season’s arc, the coming Apocalypse, as well as dealing with the issues of trust, faith, respect, love, and everything else that comes up when you feel betrayed by your family.  Also, Mischa Collins has become my favourite non-brother character and I hope he gets his own show. He needs to walk the earth and discover his humanity in his fallen condition, or something. Very fish out of water, don’t you think? Anyway, Kripke et. al did an incredible job of writing this season and the way they connected everything they’ve written in previous seasons in so tight a culmination is Herculean. I can’t wait for Season 6!

There are other shows that have aired. I hear Breaking Bad is really good this season. People are still raving about Mad Men and Sons of Anarchy I also heard was really good. Those are shows I just can’t keep up with if I’m watching a full slate of show now. But they are on my summer list for catching up. So what about you. If you’re watching a show that deserves to be mentioned, put it in the comments!

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Best and Worst Written Shows This Season: Part 2 – Still the Best

Posted on 26 April 2010 by thisgirltv

Continuing my countdown of shows that were the best this season, shows who are past their first season (or with the way shows run now, who had a significant enough break that you feel as if it is in a new season) and having their best written shows of any season, I give you 6-4.

6. 30 Rock – Dealing with all the news that is going on with NBC and Universal, 30 Rock has been outrageously funny lampooning the crazy decisions the company has made in the last season. And what do people who are angry at a company like to do? Laugh at them. 30 Rock has stepped up admirably while still carrying on their normal storyline. Of the comedies that are past their first season, this is one of the best written comedies this season.

5. Ugly Betty – The writing this season has been fantastic. Laugh out loud funny moments, crazy over the top moments, tender and sweet moments, crazy vaudevillian villain moments – it is everything you would expect in a spanish-style telanovella. I’m glad last season was not the last season of Ugly Betty. Not only would nothing have been solved, but we would have been left with a non liberated, braces coated wannabe who never learns to stand up for herself and make her own way as a sophisticated woman of the world. The first season gets you hooked on the telenovella, but this last season  helps you say goodbye to characters you’ve grown to love.

Losing Marc and Amanda will be hard. I’m glad he finally stood up for himself with Wilhelmina. And after all her scheming, when she gives up, she gets it all. I’m sure there’s a Christian sermon somewhere in there. Plus, I like happy endings. Good job writers!

Looks weird out of blue, doesn't he?

4. Friday Night Lights (April 30) – While this season will be starting in a few days on NBC, those of us who caught the first run on Stars know what the rest of you are in for. The stories were heartbreaking and uplifting. We lose some of our favourite people, we gain some new people, we see a Remember the Titans style coming together, as realistic as you can get on tv and we see the agony of defeat and the triumph of retribution as Coach Taylor starts the year off at a new school with a new team. There were several episodes that made me just break down because, growing up in a small, southern town is just like that, like what you see in Dylan. I don’t want to spoil the coming season for those of you who haven’t caught it yet, but this is the best season of Friday Night Lights thus far. You’re in for a treat!

So, how do these show stack up? Are they out of order, not supposed to be on the list, what do you think? Tomorrow, I’ll have my top three shows and I know you’ll agree with all of them!

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Breakfast Bites: Parks and Recreation – DJ Roomba

Posted on 08 February 2010 by thisgirltv

I have become such a big fan of Parks and Recreation.  It could be because I mirror Ron Swanson’s love of breakfast food, maybe it’s because the writers made Leslie Knope a more realistic over-zealous character, maybe it’s because the writers have a better grasp on what makes each of the characters great and that gives us the laughs, but the second season of Parks and Recreations has been absolutely phenomenal. From the hunting lodge incident to the current episode, there has been some really big laughs, consistently big laughs. I love the storyline they are developing with April and can’t wait to see how Andy takes it when he finds out April likes him. I wish Tom had told his fake wife that he actually liked her. It will be interesting seeing her interact with Ron and I love the new guy in Leslie’s life.

I want to look into the differences from last year to now to fully see the subtle, but brilliant, changes the writers made that took this show from, “I guess I’ll watch it” to something that is a must watch, but whatever they did made this a valuable asset to the Thursday night comedy block. Though, seriously, how irritating would ghost Roomba be?

Ron Swanson was awesome this week, his irritation with Leslie for not letting him drive after a couple of drinks. Loved the scene where he shows Leslie that he can build beautiful things, like a harp, even when he’s had enough drinks to be hammered. Also, the turf and turf. Sign me up!


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